Free download e books in pdf The Yoruba God of

The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks. Amanda Villepastour

The-Yoruba-God-of-Drumming.pdf
ISBN: 9781496802934 | 288 pages | 8 Mb

• The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks
• Amanda Villepastour
• Page: 288
• Format: pdf, ePub, fb2, mobi
• ISBN: 9781496802934
• Publisher: University Press of Mississippi

Download The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks

Free download e books in pdf The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks 9781496802934 by Amanda Villepastour DJVU iBook (English Edition)

As one of the salient forces in the ritual life of those who worship the pre-Christian and Muslim deities called orishas, the Yorùbá god of drumming, known as Àyàn in Africa and Añá in Cuba, is variously described as the orisha of drumming, the spirit of the wood, or the more obscure Yorùbá praise name AsòròIgi (Wood That Talks). With the growing global importance of orisha religion and music, the consequence of this deity's power for devotees continually reveals itself in new constellations of meaning as a sacred drum of Nigeria and Cuba finds new diasporas. Despite the growing volume of literature about the orishas, surprisingly little has been published about the ubiquitous Yorùbá music spirit. Yet wherever one hears drumming for the orishas, Àyàn or Añá is nearby. This groundbreaking collection addresses the gap in the research with contributions from a cross-section of prestigious musicians, scholars, and priests from Nigeria, the Americas, and Europe who have dedicated themselves to studying Yorùbá sacred drums and the god sealed within. As well as offering multidisciplinary scholarly insights from transatlantic researchers, the volume includes compelling first-hand accounts from drummer-priests who were themselves history-makers in Nigerian and Cuban diasporas in the United States, Venezuela, and Brazil. This collaboration between diverse scholars and practitioners constitutes an innovative approach, where differing registers of knowledge converge to portray the many faces and voices of a single god.

Raamatud: | Krisostomus
Raamatud kategooriast: . Tulemused Eesti kirjastuste raamatute andmebaasist. Dr Amanda Villepastour - People - Cardiff University
My research interests are concentrated on Yorùbá music in Nigeria and Afro- Cuban religious music. I have published about bàtá drumming, linguistic studies of speech surrogacy and speech tone in Yorùbá music, Speaking engagements Performing Memory: Reconstructing a Transatlantic Sea Goddess through Song. Amazon.co.uk: Amanda Villepastour: Books
The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks. Dec 2015. by Amanda Villepastour and J. D. y. Peel  Amanda Wood Quotes | QuoteHD
Amanda Wood Quotes, Quotations, Phrases, Verses and Sayings. The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks. 博客來-作者- d y
The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks. 外文書 ， Amanda (EDT)/ Peel J. D. Y. (FRW) Villepastour ， Univ Pr of  Untitled
pasts, yet they sing and drum to African gods from a single source, These divinities can but they arrived by the thousands, In areas where Yoruba-speaking people boundaries and connect back to West Africa via the transatlantic slave trade. rivers, streams, woods and savannas transformed into sanctuaries sacred. Amazon.co.uk: J.D.Y. Peel: Books
Results 1 - 16 of 23 Religious Encounter and the Making of the Yoruba (African The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That  Amazon.com: Ancient Text Messages of the Yoruba Bata Drum
The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks study of the YorA'ba language, its representations on "talking" instruments,  Listen to the Rhythm - Yale National Initiative - Yale University
Today, we find the captivating rhythm of the African drum resounding the dundun and dunno--known as talking drums--were prevalent Nigeria, Ghana and their enticing, communicative rhythms survived the transatlantic slave trade. you can listen to people who are chanting the same songs to the God of Thunder as 

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